In assembling this list of the greatest New York movies, we laid down a few ground rules: in the interest of fairness, a director could only be represented twice on the list any selection had to take place mostly in New York City (even if it wasn’t shot in New York City) and, most important, it had to feel deliberately set in one of the five boroughs. Many reflect the perilous reality of living in Brooklyn today and the Bronx yesterday others, the urbane fantasy. Great New York City movies find beauty in the rot of Times Square and ugliness in the penthouses of Central Park West. The anxious pace of a weekday commute, the philharmonic overlapping of sidewalk talk, the sweaty jockeying for position on any square foot.
Lee brice that don t sound like you lyrics movie#
We’re talking about a great New York City movie that transcends establishing shots and dodgy accents to immortalize something distinct about this place. “You always sounded like truck tires on a gravel road, laughing at the world, blasting my radio / Cannonballs splashing in the water, doing whatever, whenever you wanted / What did he do? ‘Cuz you don’t sound like you anymore,” Brice laments.Īn official impact date for the song has not yet been announced.What makes a great New York City movie? Not just a movie set in New York - there are plenty of those. Yes, he wants her back, but it conveys more as concern for her well-being than a selfish come-back-to-me. “I know it’s been a while, and I don’t mean to pry, but when I asked you when you’re happy, I didn’t hear a smile, and that don’t sound like you / No, that dont’ sound like you,” Brice sings. It’s an incredible pairing of melody, production, and lyric, and employs the line “that don’t sound like you” in clever ways. The bridge implores she come back, but it doesn’t feel like a selfish yearning, rather a hope that she return to the best of herself.
Lyrically, it seems her personality has become a shadow of itself, following the verses in their mellow tones. The verses are sparse and explorative, building into big choruses that match the lyrical boldness of her personality. Written by Brice with Rhett Akins and Ashley Gorley, the song describes a conversation with a girl who sounds different, someone who’s changed in ways the singer doesn’t understand. “That Don’t Sound Like You” is another such emotive song.
Though Brice didn’t write the track, he absolutely makes it his own, singing emotion into the corners of each lyric.
It doesn’t even have to be about love – “I Drive Your Truck,” one of the strongest songs to come out of the last couple years, is heartbreak in the form of a buddy lost to a war and a simple, personal way to cope. Like artists such as Tim McGraw or Keith Urban have so successfully done in the past, Brice proves that men offering vulnerability on a song can be incredibly moving, connective, and successful. In a time when a song like “Parking Lot Party” could easily have been Brice’s hook and main seller, he’s managed to woo audiences with heartfelt, emotive, and strong songs like “A Woman Like You,” “Hard To Love,” and “I Drive Your Truck,” as well as his more recent successes. With the chart-topping status of “Drinking Class” this week, Brice takes five of his last six singles to #1 at country radio, the exception being “Parking Lot Party,” which peaked at #6. With single choices like Platinum #1 “I Don’t Dance,” this week’s #1 “Drinking Class,” and his next release, “That Don’t Sound Like You,” Lee Brice continues to set himself up quite strongly for a shot at being a long-lasting career artist.
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